Are you planning to go into photography? Is that a thing you like doing and you are thinking of abstract street photography? Well, if so then you’d first like to know what it is and how can this be defined.
So, coming to defining this abstract photography, it could be a little challenging at first. It’s taking the subject and pushing a viewer to gaze at it differently. This can cause the very subject to even lose the original purpose or meaning.
The photographed items could well be objects one uses in their daily life. And they could even be created solely for art.
Understanding abstract street photography
To start with, one must know that there’s no precise definition of abstract street photography. That very way, one can go on to make a genre of their own.
To anyone who understands photography, abstract photography generally means you’re removing the very context of a subject, that what you are seeing is not always clear. And the moment it comes to abstract photography, one is re-forming the sphere to make their very subjects, making stuff that’s not what they seem to be in the actual life.
What does Abstract photography use?
It uses blurs, reflections, shadows, colors, and silhouettes to give a feel of the event rather than recording the event. And, in that regard, it’s the very opposite of straightforward street photography, and the purpose is to go on to record the moment well in time.
Much like the photography: geometric street, it’s usually less intrusive, therefore if you’re this shy photographer, it could well be a kind of street photography, which suits you.
That said, if you look forward to trying abstract street photography, then here are a few opportunities to take a look at:
1. Use the foggy surface
One can shoot through the car windows, or building, that is dirty, foggy, or maybe covered with drops of rain.
One can look for architectural glass blocks, that may vary in size, color, and form.
2. Look out for the reflections
Well, all sorts of surfaces could be reflective, which include windows, polished floors, and street puddles.
3. Use the motion to simply blur the objects
One may also make use of the motion if they want to give the blur effects to the objects in their picture.
1. Using shadows
One may go on to shoot at the golden hr time. That is when the low angle courtesy of the sun causes those long shadows. Photographers can make mystery by partly hiding a subject in the shadows.
Feel free to make shadow your main subject in the picture. When one does this, then flipping an image in the post-processing could sometimes make interesting and contrasting effects. One may also use the shadows to bring the negative space.
2. Take your pictures along with silhouettes
It is the Silhouettes that can create mystery and drama as they leave plenty to one’s imagination. One’s subject would be silhouetted when it’s in front of a light source.
It’s all about capturing the feeling
Well, the most essential skill one should grow is the very ability to be existing at the moment they are out shooting.
When they are entirely in the existing moment and ain’t planning or thinking, they can appreciate their experience, and they may connect more adequately to what is happening around them.
And when one sees a man strolling to work seeing a little downcast, they may capture it:
And via being thoroughly in the existing moment, they are likely to bring feelings of what it is like to be around and see what they are eyeing into their photos.